A prosa do mundo: subjetividade, a pintura holandesa do século XVII e o fim da arte em Hegel.

In this work we aim to analyze the idea of the end of art in Hegel. To that effect, we examine two points in particular, namely: 1) the 18th Century's historical backdrop; and 2) the depiction of historical figures in Dutch painting during the 17th Century. Romantic art understands the circumstances of both the domain of subjectivity and interiority as the bourgeois social relations, charged with prosaic and mundane features, which allows the Hegelian notion of art a difficult existence. In this another stage, from the development of the spirit, the decline of art is traced before the relationships that make up the world, the same way that considerations are made about the loss of Hegelian ideal.